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← Older: Art as Cinema: a metaphor
A metaphor for modern cinema can be formed from analogues in the world of painting. It divides films into three unconnected groups.
A very small, select …
Newer: The Black Windmill (1974; dir. Don Siegel) →
Siegel’s distant, relaxed compositions and evenly paced editing style here craft a well-intentioned if predictable thriller. This sense of hyper-realism, where actors are allowed to …
Production Diary 02
An early present from our Christmas stocking: here’s the second production diary for Scenes from the Private Life of Scratchman Drexel, detailing the new pre-production stages demanded by the alternative approach to filmmaking we outlined here.
And that just leaves us to wish you a Merry Christmas, and we’ll see you in the New Year!
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