Lemora: A Child’s Tale of the Supernatural (1973; dir. Richard Blackburn)
This film bears comparison with the similar Let’s Scare Jessica to Death (1971; dir. John D. Hancock), but has stylistic parallels with a number of …
This film bears comparison with the similar Let’s Scare Jessica to Death (1971; dir. John D. Hancock), but has stylistic parallels with a number of …
Somewhere inside this antiseptic and neutered thriller, there’s a full-blooded horror film lurking in the shadows, but helmer Christian, responsible for production design on films …
This unassuming, zero-budgeted feature, made without recourse to emotive editing techniques or complicated special effects sequences, and totally without egotistical pretense, is possibly one of …
Released just before commercial cinema began its descent into adolescent sensationalism, Resnais’ masterpiece of meaning, time and truth garnered numerous awards and recognition throughout Europe, …
A confused and roughly edited murder mystery, this Italian giallo seems to be a victim of its own devices, unnecessarily cluttering its narrative with badly …
A metaphor for modern cinema can be formed from analogues in the world of painting. It divides films into three unconnected groups. A very small, select …
Cinema is necrophilia. The act of desiring now aged or decayed faces, trapped by the illusion of action that seems to exist in the present …
This tense, nervous film succeeds in creating a threatening, silent world where its main protagonists are watched, suspected and hindered in their attempts to steal …
This is one of Bava’s less personal works but it still manages to convey his understanding of the cinematic spectacle, which informs a number of …
Supposedly Doctor Who is the UK’s longest running science fiction programme, but in reality its forty-odd-year run can be split into two separate and nearly …
Tag: abstract