Lemora: A Child’s Tale of the Supernatural (1973; dir. Richard Blackburn)
This film bears comparison with the similar Let’s Scare Jessica to Death (1971; dir. John D. Hancock), but has stylistic parallels with a number of …
This film bears comparison with the similar Let’s Scare Jessica to Death (1971; dir. John D. Hancock), but has stylistic parallels with a number of …
Released just before commercial cinema began its descent into adolescent sensationalism, Resnais’ masterpiece of meaning, time and truth garnered numerous awards and recognition throughout Europe, …
A metaphor for modern cinema can be formed from analogues in the world of painting. It divides films into three unconnected groups. A very small, select …
Cinema is necrophilia. The act of desiring now aged or decayed faces, trapped by the illusion of action that seems to exist in the present …
This tense, nervous film succeeds in creating a threatening, silent world where its main protagonists are watched, suspected and hindered in their attempts to steal …
Television and cinema are capable, within the single framework of a film, of presenting a multitude of disparate social, cultural and political perspectives. The essential …
This is one of Bava’s less personal works but it still manages to convey his understanding of the cinematic spectacle, which informs a number of …
Last night Channel 4 broadcast The Event: How Racist Are You?, which replicated an exercise into racial awareness and discrimination by ex-schoolteacher Jane Elliott. Regardless …
Contrary to popular belief, independent, commercial-minded cinema can be a fertile ground for intelligent, probing filmmakers, and chief amongst them is Italian helmer Bava. Although …
Like Es ist nicht leicht ein Gott zu sein (1989; dir. Peter Fleischmann) – which we reviewed here – this Estonian film is based on …
Tag: subjective